|
|
| Our Activities |
Who we are
In the light of rapid and continuous financial, legislative and vocational transformations that affect culture and the arts, it is evident that the need has arisen for the scenic arts sector to address the challenge posed by new creative multimedia languages and by the rapid evolution of certain sectors such as film and television employing cutting-edge technological innovations.
The Scenographer is the first magazine with global distribution dedicated to set and costume design. We pride ourselves on providing news, information and background on design for the entertainment industry from vocational training to the professional world. Particular attention is paid to graduates and young designers on the threshold of a career within the contemporary design landscape.
Our mission
The Scenographer's mission is twofold: to act as a hub and function as an “open laboratory” for a variety of initiatives, schemes and incentives that have vocational training as their prime objective, in order to pool the collective skills of craft practitioners and establish a fruitful link between established professionals and graduate designers; to provide production designers, costume designers, set decorators and scenic artists with the opportunity to take technical refresher courses organised in association with expert practitioners and companies providing technologies for the entertainment industry.
Integrated Marketing Communications
THE SCENOGRAPHER provides an efficient communications platform for businesses who advertise in our print and online editions, through a tried and tested programme of diversification in promoting goods and services targeted at industry professionals worldwide. We have direct contact with film and theatre directors, production designers, art directors and costume designers throughout Europe and the USA.
THE SCENOGRAPHER is bonus distributed at key international trade and festival events throughout the year.
THE SCENOGRAPHER organises conventions attended by industry practitioners, educators and students.
Our distributors:
EUROPE - Central Books - London - www.centralbooks.com
USA/CANADA - Disticor Mag Distribution Ontario, Canada - www.disticor.com
Collaborate with us
Do you write about or research scenography? Do you have interview material or articles to suggest or would like to submit? Do you have AV material on theatre, film or television projects? Want to flag a particular project you consider to be worthy of recognition? Do you have any interesting images of theatre productions? Want free space in which to show your portfolio? Write to us with your ideas and suggestions and we will take it from there. The Scenographer works in association with vocational training, research and information experts on contemporary scenography. Drop us a line at: editorial@thescenograher.com
Maria Harman (publisher), Paolo Felici (editor in chief), Giulia Covelli, Daniela Turco, Marco Incagnoli, Lucio Altarelli, Gianni Accasto, Daniele Paolin, Ivana D'Agostino, Antonin Di Santantonio, Luca Bruzzese, Lorenzo Letizia, Jane Barnwell.
The Organisational Committee will remain a structure with an open-house policy in order to accept new memberships on an ongoing basis. The committee will comprise highly qualified figures from academic, institutional and professional spheres. A number of the listed names are of international renown, flanked by educators and researchers of recognized authority in the academic world.
The Organisational Committee
Gianni Accasto (Professor, Faculty of Architecture "Ludovico Quaroni", Rome), Lucio Altarelli (Professor, Faculty of Architecture "Ludovico Quaroni", Rome), Ezio Antonelli (Stage and Visual Designer), Maurizio Balo (Stage Designer), Jane Barnwell (Senior Lecturer in Film & Broadcast Production, London Metropolitan University), Agostino Bossi (Professor, Faculty of Architecture, Naples), Luca Bruzzese (Architect), Alida Cappellini (Production and Costume Designer), Pietro Carlomagno (3-D digital stereographer & stereoscopic IT media consultant), Orazio Carpenzano (Stage Designer, Architect, Professor Faculty of Architecture "Ludovico Quaroni", Rome), Fabrizio Crisafulli (Theatre and Visual Director, Lighting Designer), Ivana D’Agostino (Professor Academy of Fine Arts, Venice, Art Critic), Luca Dalco (Virtual Image Consultant, Lecturer in 3D computer graphics and Vector Animation), Roberto Paci Dalo (Theatre Director, Stage Designer), Luigi De Marchi (Architect), Antonin Di Santantonio (Architect, Production Designer), Giuseppe Dittadi (Industrial Engineer), Paolo Felici (Editorial Art Director, Journalist, Publisher), Clara Fiorillo (Professor, Faculty of Architecture, Naples), Paolo Giardiello (Professor, Faculty of Architecture, Naples), Marco Incagnoli (Lighiting Designer), Lorenzo Letizia (Theatre Director, Theatre Critic), Giovanni Licheri (Production Designer, Interior Designer), Pierluigi Salvadeo (Professor, Faculty of Architecture and Society - Politecnico di Milano), Mario Mastropietro (Architect, Publisher, Fondatore IDEA), Andrea Mazzoli (Architect), Paolo Micciche (Theatre Director, Stage and Visual Designer), Giorgio Molinari (Industrial Engineer), Andrea Moneta (Professor, Facolta di Architettura "Valle Giulia", Rome), Stefano Panunzi (Architect), Marco Panunzi (Architect), Daniele Paolin (Professor, Professor Academy of Fine Arts Brera, Milano, Stage Designer), Luca Basso Peressut (Professor, Faculty of Architecture and Society - Politecnico di Milano), Adam Pollock (Founder of the Batignano Opera Festival, Tuscany; scenic/interior designer), Aleks Sierz (Author of In-Yer-Face Theatre: British Drama Today, Journalist, Broadcaster, theatre critic of the Tribune, Visiting Research Fellow at Rose Bruford College; teaches postwar British drama at the London Branch of Boston University), Max Farsetta Spina (Production and Stage Designer), Corrado Terzi (Lighting Designer; Prof. Industrial Design, Faculty of Architecture "Ludovico Quaroni", Rome), Daniela Turco (Film Critic, Writer), Isabella Vesco (Professor Faculty of Architecture, Palermo).
|
|
 |
|
|
|
